Saturday, August 31, 2013

Cultural Influences On Trend Forecasting



For everyone who works in the fashion business it is important to be able to recognize and to foresee social and cultural movements, in order to understand the fashion environment and to be able to operate in the direction in which the fashion industry will move. Being able to anticipate what will happen in the next future is what puts a fashion designer, a retailer or a fashion buyer in the position to make better decisions in their work. And in this, fashion is not at all an isolated industry but is connected to the rest of our life. Fashion reaches beyond clothing and into the way we choose to live our lives. Lifestyle is how we communicate, how we travel, how we decorate our homes, how we eat and how we dress.

Lifestyle and trends are strongly influenced by social-cultural changes, such as modernization, technological innovation and also by artistic movements. Trend analysis looks at the interaction of shifts in fashion, consumer lifestyle and culture and is a framework for understanding and interpreting fashion changes. It is important to realize is, that trends are made by people, who on different levels get involved with different artistic environments.
In order to understand a fashion trend, we need to be aware of what will surround us in terms of our social-cultural way of living. The development of new trends usually involves three main sources, which influence our cultural live and lifestyle. These three main sources are high culture, pop culture and low culture.

High culture refers to elite activities such as visual art like painting and sculpture, other forms of art, such as music and auditory art, but also applied art like photography, architecture and design. Art is a product of human activity, made with the intention of stimulating the human senses, as well as the human mind by transmitting emotions or ideas. In terms of fashion inspiration, these emotions and ideas can later on undergo a further process and lead to new forms of inspirations and concepts, in the case of a designer; it can bring him to a collection idea. That means, that by observing contemporary art, we may get information about what influences designers and upcoming fashion trends. As an example of how art influences fashion can be found in the Louis Vuitton collaboration with several contemporary artists, like Stephen Sprouse or Takeshi Murakami, who in the past had embellished their famous Louis Vuitton Monogram bags.

Popular culture, or pop culture, is a cultural section, which is followed, understood and appreciated by a larger audience. Pop culture is highly influenced by celebrities and includes the daily interactions and cultural 'moments' that constitute the everyday lives of the mainstream. This culture is seen as a commercial culture, mass-produced for mass consumption. In terms of fashion, an example of how pop culture can influence our lifestyle and our looks, can be found taking into account the most stylish TV shows, like in the 80ties ‘Dynasty ‘and in the end of the 90ties to 2004 ‘Sex and the City’. Everybody wanted to dress like the protagonists of these serials. 

In the last years mass media has increased the exposure and power of celebrities.
The celebrity culture has and always will have an influence on society as they are constantly in the media. Celebrities are a kind of role models; their looks are studied and copied by a lot of people, which makes them very interesting to fashion companies who try to place their products on them. This year we notice a strong trend in replacing models by Hollywood stars in fashion advertising, like Katie Holmes for Miu Miu, Victoria Beckham for Giorgio Armani Underwear or Madonna for Louis Vuitton. Fashion brands want to use the glam of Hollywood actresses to project that glam on their products and at the same time to show that luxury is doing well during this economic crisis.

The third culture level is the low culture or subculture. Subculture includes local street movements like graffiti, Hip Hop or other groups outside the mainstream. The influence of subculture to fashion can be clearly seen in surf and skateboard culture from the 70ties to present day. The spirit of the skateboard and Graffiti movement had greatly affected the whole world of sports- and street wear until today. It may be difficult to recognize certain styles as subcultures because their look is quickly (particularly clothing and music) adopted by mass culture for commercial purposes. Like the Japanese Harajuko girls for example, who are teenager girls, originally from the Harajuko district in Tokyo, who dress in a specific way.
Some of these girls have been hired as backup dancers by American singer Gwen Stefani, who named her 2005 world tour and her clothing line after them. A subculture has become fashionable and was adopted by the fashion market.

To observe the street is of equivalent importance than to keep updated with fine arts and as well the pop culture. None of these three cultures lives in isolation and each may influence the development of the other and equally they influence the fashion environment development of trends.

Young Somali designer melds culture and fashion



Life in the diaspora has allowed many young Africans to flourish. ZamZam Duale, a Somali-Australian designer, who is only 19, is already taking giant strides at this tender age.


ZamZam, 19, made her fashion debut recently at the So’maal festival, a unique and creative event that allowed young people to express what it means to be a Somali-Australian.

“I would do anything to support my Somali community. Though I have worked in fashion shows before, to have and be at my own was something I could not pass! The feeling of seeing my first show at the So’maal festival in Melbourne come together on the runway was just wonderful. It was an experience I will never forget,” says ZamZam.


ZamZam uses her Somali heritage for inspiration to create stunning and contemporary clothes. Gracefully flowing chiffons, vibrant colours and a touch of alindi, a traditional hand-woven Somali fabric distinguished by variously coloured stripes, are some of the hallmarks of this young designer.


Another source of inspiration for ZamZam is Zuhair Murad, a world renown Lebanese designer, whose lavish creations and sensational colours draw the rich civilisations and culture of ancient Egypt and Greece.



The theme for the show at the So’maal festival was Somali goddess. ZamZam is a stickler for details designed twenty-four evening dresses worn by beautiful models from the Horn of Africa. “It was hard work as I had to cut the patterns and sew. It took me a full day to complete each dress. While ZamZam enjoys making evening dresses, her dream is to design wedding dresses.


ZamZam’s interest in fashion started when she was in high school. “We had a class where we had to choose from courses such as cooking, sports, computer technology or fashion. I had always loved fashion so it was an easy choice for me. The very first class was enough to convince me that this was the path I had to take,” adds ZamZam.


ZamZam is currently undertaking a three-year Advanced Diploma of Fashion and Technology at the Melbourne School of Fashion. While her studies help to shape her evolving fashion sense, ZamZam already knows what sort of designer she would like to be:

“I think fashion can be quite lazy today – people tend to wake up and just throw on a t-shirt and jeans and that is it. Not that there is anything wrong with that, but I often think of the 1920′s when people would have many dress changes throughout the day; morning wear, evening wear, and an outfit for the night. Each piece of clothing was appropriate for the event and time. I’d like to see more of the passion of the “Roaring Twenties” coming back,” says ZamZam.


As to her next steps, ZamZam has equally clear thoughts. With her first fashion show under her belt, she intends to get a label before her next fashion show in late September 2013, and looks forward to having a successful brand and her own store in the future.


Thursday, August 29, 2013

Female American Beauty Vs. Asian Culture’s Ideal Beauty

Female American Beauty Vs. Asian Culture's Ideal Beauty

The ideal female American beauty set standards to Asian women. Those who move here are surrounded by that kind of environment, and what I mean by environment is shows like America’s Next Top Model, celebrities like Paris Hilton, and the ever so “important” fashion magazines like Teen Vogue or Seventeen. I’m not directing this towards only Asian women either – it’s a universal controversy. 
So what is the ideal American beauty for females?

Abnormally thin, “flawless” skin, and 5’7 or taller (I saw this as a requirement on the America’s Next Top Model’s website), and tan skin.
It’s a little hard to meet most of these expectations, as the average woman is 5’4 tall and 130 lbs. Anyway, some Asians here want to obtain the standards that the American fashion industry dictate. Plastic surgery becomes the answer to make their busts bigger, and to create those double eyelids to make their eyes bigger-looking.
Some even go into the tanning booths to get that “California beach girl” tan. The tanning depends more on the situation. I’ve had friends who were pale as hell, and they wanted to be tan more than anything; the thing was, they absolutely could not tan no matter how much time they spent under the sun trying to.
I had a friend on my tennis team (typical Asian me, yes?) who spent hours and hours under the sun practicing – but she still stayed pale. Then I have the friends who are proud that they are pale and would hate a tan.
I found that usually, Asian women like to be pale. Although I am Asian, my skin is darker than most. I was once criticized by an aunt because she said I was too dark. I went home and asked my mom why, and she said it’s because Vietnamese people value light skin because it shows that you are wealthy enough to not have to work hard labor in the sun; however, these values only apply if you live in Vietnam.
This is true since I asked some of my other Asian friends at the time and they told me the same thing. Apparently I was in the unknown. I felt out of place because I tan easily; I played a lot of sports and spent a lot of time at the beach.
The thing that pissed me off was that we are not in Vietnam; we are in America, where people like to spend their leisure time under the sun. Life will suck without outside sports, a day at the beach, or a walk at the park. Sun damage? It’s called sun block. I wear sun block on my face every day since 7th grade when I learned that people develop wrinkles in their early-mid twenties if they don’t use sunblock daily.

Anyway, much of the ideal female beauty here is still seen through the images of Paris Hilton, Kate Moss, or whoever. Although it is not literally forcing women to live up to those standards, it is internally and silently persuading them to do so. It’s all in the mind.

What do you think about the ideal feminine American beauty? And if you’re Asian, have you ever had problems with our society’s standards?

Tuesday, August 20, 2013

Extremely Important Fashion & Beauty Moments In Lady Gaga’s New “Applause” Video






It’s also kind of incoherent–a pastiche of performance, dance sequences and costumes for costumes’ sakes. But since Gaga is some kind of Russian nesting doll of pure expression and radio-friendly hooks–”art’s in pop culture in me”–we know that even her seemingly random fashion and beauty decisions have artistic value.
Using our two and a half semesters of art history class at the junior college, we’re here to guide you through some of the video’s most noteworthy looks.
1. This makeup
Lady Gaga in a still from her new music video, "Applause"
She’s a blank motherfuckin’ canvas!
2. The bare-faced makeup
Lady Gaga in a still from her new music video, "Applause"
It’s not about the mascara, it’s about the mascara she’s not wearing.
3. She’s Little Edie and Marilyn Monroe
Lady Gaga in a still from her new music video, "Applause"
Lady Gaga in a still from her new music video, "Applause"
It’s a scathing commentary on fame and stuff!
4. Pixie cut, cheekbone contour lines
Lady Gaga in a still from her new music video, "Applause"
Oh, she’s also a bird.
5. She emerges from a giant top hat wearing wacky clothes
Lady Gaga in a still from her new music video, "Applause"
Is that Alexander Wang‘s Balenciaga collection under there?
6. …And she has a goddamn tail
Lady Gaga in a still from her new music video, "Applause"
We almost forgot to mention.
7. She wears a clamshell bikini.
Lady Gaga in a still from her new music video, "Applause"
Lady Gaga in a still from her new music video, "Applause"We always thought Botticelli’s Venus needed more volume.
8. There’s a bit of nip
lady gaga applauseIt just wouldn’t be art without a bit of nip!
9. She has wings
lady gaga applause music video
10. It kind of looks like she’s wearing a prosthetic penis
Lady Gaga in a still from her new music video, "Applause"It’s actually one of the same hands that wraps around her breasts and neck but WHATEVER #ART.


V&A displays 1980’s club culture-inspired clothes






A nostalgic tour-cum-exhibit into the 1980’s psychedelic designs, created by young innovative talents who were inspired from the revolting fashion sensibilities championed by the heavily-popular British club culture of retro era, is currently going on at the Victoria and Albert Museum, London.
Scheduled to run through February 16, 2014, the exhibition titled ‘Club to Catwalk’ offers valuable insights into the interdependent relationship between runway designs and quirky club wear, which eventually helped in reinventing fashion.
The 85-piece exhibit collection features a range of bold and exciting outfits designed by the likes of Betty Jackson, Vivienne Westwood, Katharine Hamnett, Wendy Dagworthy and John Galliano.
Highlighting the unique styles as sported by the varied club tribes, such as Fetish, Goth, Rave, High Camp and New Romantics, the event displays eccentric garments donned by extreme dressers like Boy George, Adam Ant and Leigh Bowery.
The exhibit also includes a display of customized Blitz denim jackets, provided by Levi Strauss & Co. The jackets were designed in 1986 by a group of 22 ultra-fashionable and creative London-based designers.

Looking for style in some very unexpected places.


Amateurs and Lovers


If you think of fashion as something friskier, funkier, and more democratic than designer clothes on models and movie stars, fashion photography becomes more interesting, too. Style and flair aren’t luxury goods; beauty’s where you find it. And some of the most original fashion photographs were made unintentionally, by artists whose real interest is in people at their most vivid and idiosyncratic. One example: Nikolay Bakharev, a Siberian photographer whose portraits of Russians in and out of bed are included in “The Encyclopedic Palace,” Massimiliano Gioni’s widely praised International Exhibition at the Venice Biennale. Gioni introduced Bakharev to U.S. audiences in 2011 with “Ostalgia,” his show of contemporary Eastern European art at the New Museum. This summer, Julie Saul Gallery presents Amateurs and Lovers, the photographer’s first American solo exhibition. Although Bakharev, now in his mid-sixties, continues to take pictures, much of his work dates from the1980s and ’90s, when it was illegal to make or display nude photographs in Russia. He got around the law by taking his camera to wooded lakeside resorts, where families, friends, and couples, many of whom were wearing only their bathing suits, posed with an intimacy and openness that feels slyly conspiratorial. The charming threesome here, clinging together in the leafy shade, would not look out of place in the pages of a fashion magazine. The nubile nudes in Bakharev’s bedroom photographs are more provocative, but this casual ménage à trois makes one of fashion photography’s favorite fantasies believably real.
Photo by Nikolay Bakharev
Photo by Nikolay Bakharev

    Wonder Woman Outfit

    These last few weeks I tried doing it all – working two jobs, getting out a bit, exercising, blogging but it’s been pretty hard. I mean it can be done if you can by sleeping less than 5 hours a night but it’s not something you can’t do long therm. So I decided to give myself a break, enjoy a Sunday in the sun with my friend Laura before her moving to Berlin for a while and just take it easy for a few hours.

    This outfit was created around the wonderful Wonder Woman clutch signed by La Muse Chic. Saying I love it would be an understatement since it’s one of those pieces that’s not only beautiful and functional but actually says something about me. 

    It speaks about how I don’t take this fashion business too seriously, how clothes are meant to make you feel good about yourself, about my obsession for comic books and superheroes, how I would rather watch TV shows and eat ice cream than go shopping, about how I have thisPinterest Board dedicated to the superheroes ways that I update all the time cause that’s how cheesy I am. 

    When it comes to sunglasses the pair I have on is the perfect shape for my face and I just love the gold metallic details that class things up – you can find it here!

    You might also ask yourself where can one find a crazy “look at my b***s" bustier like mine – well, I added the big blue sequins myself back when I had free time. I miss my DIY projects a lot! Good times!

    Monday, August 19, 2013

    The It Factor Productions Video Advice on Fashion!

    aly-and-victor-cruz-2At the 25th anniversary of Steiner Sports, we got to sit down with New York Giants star and author of “Out Of The Blue,” Victor Cruz. During the celebration, we got to talk with Cruz, and really get to know the man off the field (interview below). With the launch of our new Celebrity Sports division, and our affiliation with Steiner Sports, everyone here at The “It” Factor productions is excited to see what opportunities arise.
    Those aren’t boos you hear when #80 of the New York Giants hauls in another jaw-dropping reception. That’s “Croooooz”—as in Victor Cruz, the NFL’s #1 surprise story of 2011. After spending his entire football career flying under the radar, Victor danced across the screen and became a high-profile difference-maker during New York’s improbable run to the Super Bowl. So if Victor is such a big star for Big Blue, how come it’s so hard for opponents to find him on a football field? That’s a question league defensive coordinators will no doubt spend the off-season attempting to answer. Here is an interview with Victor Cruz!
    Tell me about growing up in Paterson, New Jersey?
    It was a tough neighborhood to grow up in. It was a gritty city. It was a lot of coming home and seeing violence and drug dealing in the streets. It could make or break you. I’m glad that I lived through it and can say that I came from there.
    What was high school like?
    I had some good times in high school. I went to Paterson Catholic High School, which was almost unheard of. I played football, basketball and track & field. It was tough though because, the friends that I had were slowly starting to get involved in the streets. It could have been easy to fall into that, but I was more focused on sports, getting my schooling together and making it to college.
    Being African-American and Puerto Rican, did you ever have an issue with people asking about where you were from?
    People ask me that all the time. I look African-American but my last name is Cruz, so they were always wondering what I was. They’d be astonished at first and then they come around and understand once they get to know me and my parents more.
    What was college like for you? Did you have any obstacles?
    My first year of college was tough. I thought that just being an athlete I could get by. I thought I was okay until I got kicked out., which happened twice. I really had to do some soul searching throughout that time. I think being home and understanding what I really had to do really shaped and helped me believe that I could do whatever I put my mind to.
    Did you have a backup plan if football didn’t work out?
    No, but I was always wanted to be a teacher. It was always football or nothing. I always had all my eggs in one basket. I wanted to make it work. I feel like once I put all my attention and energy toward this, I was able to get it done.
    Tell me a bit about your Mom and grandparents, did they help keep you on the straight and narrow?
    Most definitely. My mother was very stern, as well as loving and caring and all of that. But she never took no for an answer. She would always make sure that I carried myself the same way. I was always the type of person that whenever I started something I finished it. And, I was always held accountable for my actions.
    Growing up did you ever ask why there weren’t more Hispanics like you in sports?
    Not really. It was never anything I questioned until I entered the NFL and looked around and thought to myself, ‘You know, there aren’t many Hispanic guys playing this sport, and I could be one of the few and really make a difference.
    What made you want to write a memoir?
    My mom was dying for me to write a book, she was my biggest advocate. I just wanted to get my story out there about my entire life from my point of view.
    I know you speak Spanish fluently, are you going to teach your little girl Spanish?
    I want to make sure she is fluent in the language because that’s one of the issues we are facing with kids today. These young Latino kids are not learning Spanish because their parents are already so Americanized. I definitely want to teach my daughter Spanish.
    What part of being Puerto Rican do you want to pass on to your daughter? 
    I want her to understand her culture. Understand that she’s not just African-American, she’s also half Puerto-Rican. I want her to understand the food, culture and visit Puerto Rico. Particularly visit these different areas that really shaped me as a kid because that’s where my grandmother is from.
    What do you want to give your daughter that you didn’t have growing up?

    I just want to give her some stability. Growing up, I had my mom but I wish I had my dad as well. I want to give her the stability of having both parents in the household so she can live up to all her dreams. I think having both parents is definitely going to benefit her.
    You know more than anyone else how easy it can be to lose your way, what kind of advice do you have for kids back in Paterson who look up to you?

    Stay focused and use my story as inspiration. Know that no matter what goes wrong throughout your life that you can get through it, you can conquer it and move on to the next step of your life without taking a step back. These small things are just small speed bumps in your career and in your life. Know that I walked in those same streets, in those same places that you did. If I can make it out of there, then you can too.
    To learn more about fashion and watch some great video, visit this link. 

    Why Fashion Matters to You




    The fashion industry is at once the most visible and overlooked of cultural sectors. Malls, streets, magazines racks, television shows, and runways are filled with people making fashion statements—some angry, some extreme, some incoherent. But while designers, celebrities, publicists, and most young people in America understand the persuasive power of a fashion statement, most “serious” cultural critics give little evidence of noticing, much less engaging, the often pathological and destructive messages that fashion trends and fads market. This is a mistake: fashion statements are often both influential and philosophy-laden and, therefore, often need to be considered, analyzed, or challenged.


    One does not need to be a critic or designer to understand that fashion statements intend to send a message. The content of those messages is an increasingly important component of the state of our culture. There are several reasons why this is so.

    First, fashion helps define and shape popular culture, which, in turn, drives much of American culture writ large. The last few years have provided numerous examples of the influence fashion wields in shaping popular culture. Television and movies have, since their beginning, spawned fashion trends, but are increasingly institutionalizing their fashion influence. Models host their own television shows, open restaurants, and star in movies. All-fashion programs are making their appearance on cable stations and all-fashion networks are even emerging.

    Similarly, the music and fashion industries are growing ever more intertwined. Music magazines—Rolling Stone, Spin, Vibe, and others—often feature fashion spreads, in addition to the fashion-conscious musicians they profile. VH1 offers the yearly VH1 Vogue Fashion Awards; MTV boasts the House of Style program. As far back as 1986, the Council of Fashion Designers of America gave MTV a special award for its influence on fashion. Fashion becomes an integral part of what young people consider cool, attractive, stylish, and entertaining. Even Newsweek admitted that “Style counts: Teen cliques are more fluid than adults thing, but each has its own distinctive tribal markings, from hippie chic to body art to buttoned down prep.” Indeed, virtually all cultural trends have a fashion component; one cannot adopt a role without looking the part.

    As fashion has grown more intertwined with popular culture, its reach and influence have extended to younger consumers. Children provide an emerging market for the fashion world, and prove an increasingly lucrative one. According to some studies, direct spending by teens and preteens has tripled since 1990; in 1998, children under twelve alone spent over $28 billion, much of it on clothes. Children are more susceptible to peer pressure and fashion fads than adults; their increasing purchase power is a sure sign that fashion advertising—and its institutionalized presence in much of popular culture—will target more and more marketing efforts toward children. As fashion grows more influential, it will direct its statements toward the more easily influenced.

    The increasing clout and celebrity of those within the fashion industry has also yielded political access. A generation ago, it would have been difficult to imagine a model being invited to testify on Capital Hill; today, models have been asked to do everything from advise Congress on foreign affairs (as when the model Iman testified about slavery in Sudan) to lead public health campaigns (Lauren Hutton’s campaign for hormone therapy). Nor is the fashion industry’s political access limited to the United States. In 1998, when models Naomi Campbell and Kate Moss finished their photo shoot in Havana, on a lark they sent a note to Castro requesting a meeting. Castro met with them for a full ninety minutes—half an hour longer than he spared for the Pope. In addition, Cuba’s chief revolutionary showed himself to be fairly well acquainted with fashion trends, congratulating Miss Moss on starting the “revolution” toward smaller models.

    A third factor is that fashion is significant in its capacity to both reflect and affect larger historical trends. “Fashion is a mirror of history,” declared Louis IV. And David Wolfe, creative director of the fashion consulting Doneger Group, has stated: “Fashion is both a predecessor of what has taken place in larger society, and a predictor of what will take place.”

    There are numerous examples to prove their point: the end of the first World War and subsequent expansion of economic wealth and opportunity unleashed daring and expensive new fashions. The passage of the nineteenth amendment, extending the right to vote to women, coincided with the advent of pants, shorter skirts, looser-fitting clothing for women, and bobbed hair. The departure of flapper fashion from previously accepted norms was radical in and of itself, as well as reflective of seismic changes underway in the status and treatment of women. The shortening of women’s hemlines and advent of the dropped-waist dress (which eliminated the need for corsets) were vehemently criticized for being “unfeminine,” with the result that social concepts of femininity underwent alterations along with hemlines and haircuts. Fashion accelerated the movement of history—and not only by enabling women to walk faster. The adoption of new fashions became a social, even a philosophical statement, in some ways. Indeed, the most renowned author of the time, F. Scott Fitzgerald, penned his most famous short story “Bernice Bobs Her Hair” in a book titled Flappers and Philosophers.

    Finally, and most importantly, fashion statements are significant because they purport to define what an individual and/or society believes is and should be attractive, desired, and emulated. The fashion industry’s primary purpose is to glamorize a particular “look” and hold it up as something to be admired, purchased, and adopted. It is about endowing a certain appearance with glamour and encouraging others to aspire toward its emulation. As one critic noted, “In virtually all forms of fashion photography, there is a patina of glamour. Once anything is touched by the hand of fashion, it takes on an enticing glow and a secular and commercial appeal.”

    What we, as a society, consider attractive and stylish is no trivial matter, as it reflects significantly on what we value, what we consider beautiful, and how we wish to appear and be known.  As such, fashion statements are, as their name suggests, invitations to a conversation—one that we would do well to take seriously.  

    1. What fashion trends have you noticed that portray people as we ought to be?
    2. Following Gabe Lyon’s lead from The Next Christians, how can you engage the fashion industry by creating and not only critiquing?

    Friday, August 16, 2013

    Kate Middleton: The girl in the pearl earrings

    While leggings and baggy t-shirts may be a wardrobe reality for many expectant mothers, the Duchess of Cambridge has upheld her reputation for impeccable dressing throughout her minutely documented pregnancy, right up to her final engagement before maternity leave. For that event – the annual Trooping the Colour parade in mid-June, to mark the Queen’s official birthday – Kate wore a custom-made baby pink coat by Sarah Burton for Alexander McQueen, with matching hat. With its over sized pearl buttons, three-quarter-length sleeves and wide collar, the coat projected an ultra-soft feminine air – girly, even – while exuding retro chic à la Jackie Kennedy. It proved a popular choice for the fledgling royal, who has rarely set an LK Bennett-shod foot wrong when it comes to fashion.


    Designer Julien Macdonald recently told Grazia magazine that pregnancy has brought out the Duchess’s saucy side, citing her raised hemlines. Case in point: the black-and-white animal print Hobbs coat she wore for her last solo engagement, to launch the Royal Princess cruise ship. “It’s not something you normally see on pregnant women and it’s bound to start a new maternity trend,” noted Macdonald. “Those dresses are actually very short, shorter than she ever wears usually. That’s been her trick, and it’s working – pregnancy has made her sexier.”
    Keeping her look elegant, demure and largely affordable, the Duchess is proving to be a different style icon from the couture-clad Diana, Princess of Wales, with a wardrobe anchored by ladylike looks from High Street and mainly British designer labels. Jenny Packham, Emilia Wickstead, Temperley and Whistles are some of the brands blessed by the so-called ‘Duchess effect’. Tills ring each time she slips on a dress, with her outfits often selling out online in mere minutes, be it the royal-blue Issa wrap dress she wore for the official announcement of her engagement to Prince William in October 2010, or the polka-dot Topshop maternity dress she wore to a wedding last May. The blog katemiddletonstyle.org carries tips on how to “copy Kate’s style” and includes lookalike outfits that wouldn’t break the Privy Purse.
    Common people
    Just as Diana was posthumously dubbed ‘the People’s Princess’, so Kate – who has ‘commoner’ roots – has remained on a level accessible to her future subjects when it comes to style, opting for classic ensembles with a contemporary twist that seldom scream fashion. She even reuses pieces, hitherto considered a faux pas in high society, earnestly recycling outfits as if her pocket money depended on it; a savvy move in money-crunched times. No modern-day Marie-Antoinette is she.
    Since marrying in April 2011, the Duchess has moved on from the short skirt, opaque tights and suede boots engagement ensembles to more formal attire. At times, her commitment to demurely dressing the part has veered into ‘mumsy’ terrain (even before she was officially pregnant); the 31-year-old favours long sleeves and defined waists, and has even been known to borrow mother Carole Middleton’s frocks.
    But then according to glossy society magazine Tatler – which recently published tales of envy incurred by the Middleton sisters’ pristine school kit with sewn-in name tape – Kate has always been impeccably groomed and well-presented. She effortlessly exudes jolly-hockey-sticks, good-sport gusto whatever the occasion, whether wearing jeans and Le Chameau wellies or a fancy frock with a Philip Treacy creation atop.
    Colour pop
    Because a burst of colour is often as adventurous as it gets for the discreet Duchess – the scarlet pleated McQueen dress (with matching fascinator) she wore to The Queen’s Diamond Jubilee Celebrations last year reportedly drew gasps from the crowd – and some fashion insiders have dismissed her style as bland. But when she chooses to go glamorous, she can knock detractors for six. Sartorial standouts for the natural beauty include the billowing lilac McQueen gown she wore to the Baftas in 2011, the teal Jenny Packham gown with cap lace sleeves that she wore to the British Olympic Team GB gala event at the Royal Albert Hall, and the striking forest green McQueen gown she wore to the BBC Sports Personality of the Year Awards last December, with long sleeves and a thigh-high-split.
    And of course the Duchess’s exquisite wedding gown converted even the most cynical of critics with its elegance and credentials – Sarah Burton for Alexander McQueen, once more. Acid-tongued überdesigner Karl Lagerfeld declared “Kate’s dress was much nicer than Diana’s, which was a giant white taffeta curtain” and even praised her simple hairdo, with its “allure of the 1930s” – high praise indeed. Kaiser Karl is not the only designer who admires her: “Kate is the ultimate English rose,” Marchesa designer Georgina Chapman told Women's Wear Daily. “She’s very beautiful, very English – classic and sophisticated. She has a very royal attitude already in terms of the way she puts herself together and carries herself in public. She is the future queen, so she will be a style icon, and as a young member of the royal family she will be influential.”
    Outside of royal engagements Kate favours functional smart staples, such as jersey wrap dresses and tailored blazers, even if – with her slender frame and  height of a model (5ft 10in, 1.78m) – she’s a natural clotheshorse who could surely sport more avant-garde outfits. For now, while she’s nesting and nestling, her comfort zone is exemplified by the Sloaney mainstays of pearl earrings and Mulberry totes. The Duchess of Cambridge is no innovator but, by being approachably styled and attired, she brings reality to the corridors of Buckingham Palace and a welcome boost to the ailing British high street.
    Courtesy by BBC.